NovelFilm · Direct adaptation

Coraline (2009)

The film keeps 21 of the novella's 23 mapped beats, including the button-eyed Other Mother, her offer to sew buttons over Coraline's eyes, and the three ghost children whose souls she holds. It moves the setting to an apartment house in Oregon and adds Wybie Lovat, a real-world friend the novel does not have.

Source
Coraline · Novel · 2002 · one novella, thirteen chapters
Neil Gaiman (author), Dave McKean (illustrator)
Bloomsbury (UK) / HarperCollins (US)
Adaptation
Coraline · Film · 2009 · 1 film, one theatrical cut, about 100 minutes
Henry Selick (writer and director)
Laika / Focus Features
TrueToPage 84 · Coraline (2009 Theatrical) · v0.3censuscatalog score

This record describes the film's one theatrical cut. The remastered 3D theatrical re-release for the 15th anniversary in 2024 runs the same 100-minute cut with no new scenes.

Two widely repeated fan-wiki details, the ghost children's exact ages and eras and the given name of Wybie's missing relative, could not be verified against a live page from a second publisher. They are left out of this record rather than asserted.

Fidelity

Higher = more of the source is still true. Fidelity is not quality.
Plot structure91Across 23 non-invented mapping rows weighted by rough source length, 19 are kept, 1 is condensed, 1 is reordered, and 2 are omitted. The two omitted beats are Coraline's private memory of her father's wasp-nest bravery and the Other Father's decaying-body scene in the empty flat. The reordered beat is the well trap, which the film restages to add Wybie as a second actor rather than replacing it. Every other chapter beat runs in the same causal order, from the neighbors' early warnings through the wagered game to the sealed door.partial evidenceN = 23 beats, source weight 48
Character88Ten source characters carry scores, weighted by prominence; Wybie Lovat is screen-only and sits outside the axis. Six score 100: Mel Jones, the cat, Miss Spink, Miss Forcible, Mr Bobo/Bobinsky, and the three ghost children. The two leads weigh heaviest, Coraline at 78 and the Other Mother at 90. The lowest score is the Other Father at 50, whose novel fate as a discarded, decaying puppet who attacks Coraline is not attested for the film and is replaced with an expanded warning-song scene. Charlie Jones scores 80, and Coraline's 78 follows from one omitted interior reflection and from Wybie's help at the well.partial evidenceN = 10 people, weight 19
Dialogue & voice67Of 9 inventoried voice markers, 6 are preserved, 2 are altered, and 1 is omitted. The preserved markers are adults mispronouncing Coraline's name as 'Caroline,' the Other Mother's over-solicitous register that turns when she is refused, Miss Spink and Miss Forcible's anecdote-heavy theatrical speech, Mr Bobo/Bobinsky's heavily accented English, the black cat's dry commentary, and Coraline's plain, declarative way of stating her own terms. The two altered markers are the novel's matter-of-fact horror register, which the film breaks up with musical and comedic beats, and a parental warning that is mostly silent compliance in the book and a song in the film. The omitted marker is the ghost children's faintly archaic phrasing, which is not attested for the film.partial evidenceN = 9 voice markers
Theme & tone75Of 8 inventoried thematic claims, 6 are preserved and 2 are altered. The preserved claims are flattery that asks for a piece of the child in return, a child's competence being underestimated by adults, boredom and neglect rather than malice as what leaves a child open to a predator, victory as provisional rather than a kill, belonging that comes from imperfect parents rather than a substitute, and bravery as acting despite fear, which still plays out in Coraline's actions although the wasp anecdote that states it is dropped. The two altered claims are the resolution resting on the child's own resourcefulness, which Wybie's help at the well changes, and the source's unsoftened horror, which the film's added music and comedy level out in places.partial evidenceN = 8 thematic claims
Coverage91Of the 23 mapping rows built from the novella's thirteen chapters, 21 appear on screen in some form: 19 kept, 1 condensed, 1 reordered. The two that never appear are the wasp-memory reflection and the Other Father's decaying-body scene. The named warnings, objects, and set pieces carry over, including the stone with a hole, the three ghost children, the wagered game, the sealed mirror door, and the tea-party trap.strong evidenceN = 21 of 23 source units present
Additions restraint91Of 23 counted beats, 21 are source beats that reach the screen and 2 are invented. The inventions are Wybie Lovat and his grandmother Mrs Lovat, a real-world relationship and subplot the novel does not have, and the button-eyed 'little me' doll the Other Mother uses to spy on Coraline. The film's other changes restage existing beats, the well trap and the Other Father's warning, and add no new outcomes.partial evidenceN = 21 source beats, 2 invented

Ending

Side by side, in our words.
On the page · Coraline

Coraline escapes with her real parents and the passage seals shut. She then deals with the Other Mother's severed hand alone. She sets a fake tea party with old dolls over the property's disused well, lures the crawling hand onto a paper tablecloth that hides the opening, and drops the hand and the black key down the well. She covers the well with its own boards. The Beldam is not destroyed. She is shut out behind a door Coraline has locked from her own side.

On the screen · Coraline

The film keeps the same trap, with the same tea party, well, and key. Wybie, who has come to believe Coraline's account, arrives in time to help her fight off the hand. They force it and the key down the well together and cover the well back over.

The trap, the outcome, and the Beldam's survival behind a sealed door are the same. What changes is who acts: the novel gives Coraline this last fight alone, and the film adds Wybie as a partner in it. In an undated retrospective Tumblr post, Neil Gaiman said he was uncomfortable with the change because Coraline has to rescue herself.

Mapping

25 rows. Every source unit, including the ones that never appear.
Source unitWhat happens thereOn screenNotesTagEvidence
Chapter 1: moving in and exploring the groundsThe Jones family moves into an old house divided into flats; bored and largely ignored by her preoccupied parents, Coraline explores the outside grounds, including an old, disused well.Film, Act Onekept; the house becomes the Pink Palace Apartments in Ashland, Oregon. The beat is unchanged: the family moves in, Coraline explores the grounds, and the well is already there.strong
Chapter 1: meeting the neighborsCoraline meets retired actresses Miss Spink and Miss Forcible downstairs and the eccentric 'crazy old man upstairs,' Mr Bobo, who trains mice.Film, Act Onekeptstrong
Chapter 2: warnings from the neighborsMr Bobo's mice supposedly warn Coraline not to go through the door; Miss Spink and Miss Forcible read danger in her tea leaves and give her a stone with a natural hole in it for protection.Film, Act Onekeptstrong
Chapter 3: the door opens at nightThe small locked door in the drawing room, which opens onto a bricked-up wall by day, opens at night onto a passage leading to an Other Flat, where button-eyed Other parents serve Coraline an elaborate dinner and show her a room of living toys.Film, Act Onekeptprimarystrong
Chapter 4: the offer and the flight homeA talking black cat appears in the Other World and warns Coraline she was smart to bring protection; the Other parents ask her to stay forever if she will let them sew buttons over her eyes, and she refuses and flees home.Film, Act Onekeptprimarystrong
Chapter 5: the parents vanishCoraline's real parents fail to return home; the police and her neighbors dismiss her worry, and she finds her parents trapped behind the hallway mirror with a backward 'HELP US' in the frost.Film, Act One/Twokeptprimarystrong
Chapter 5: the wasp memoryRecalling her father's genuine, frightened bravery fighting off wasps to protect her, Coraline resolves to act despite her own fear.omittedomitted; this interior reflection on her father's bravery is not attested in the available sources for the film.partial
Chapter 6: the Other Father's hint and the mirrorThe Other Father hints the Other Mother built this whole world just for Coraline; when Coraline refuses to become the Other Mother's daughter, the Other Mother imprisons her behind the hallway mirror.Film, Act Twokeptpartial
Chapter 7: the three ghost childrenTrapped behind the mirror, Coraline meets three ghost children from different eras who reveal the Beldam devoured their souls and ask her to find and free those souls.Film, Act Twokept, altered; the film has Coraline collect the ghost children's missing eyes rather than their souls.primarystrong
Chapter 7: look through the stoneBefore Coraline falls asleep, one ghost child tells her to use the stone with a hole in it to see hidden things.Film, Act Twokeptpartial
Chapter 8: the wagered gameCoraline proposes a game: if she finds her real parents and the three ghost children's souls, the Other Mother must free them all; if she loses, she stays forever. The Other Mother agrees and swears to the terms.Film, Act Twokeptprimarystrong
Chapter 9: the empty apartment's keyThe Other Mother, feigning affection, gives Coraline a key to an empty neighboring apartment.Film, Act Twokeptpartial
Chapter 9: the Other Father's cellarInside the empty apartment, Coraline finds the decaying, discarded Other Father hidden beneath a heap of curtains; when she urges him to resist the Other Mother, he attacks her, and she escapes by pulling out his button eyes.omittedomitted; not attested in the available sources for the film, which instead builds the Other Father's arc around a warning song.primarystrong
Chapter 10: Mr Bobo's flatIn the Other Bobo's flat, filled with whispering rats, one rat holds the last marble; the cat kills the rat to retrieve it, completing the set of three souls.Film, Act Twokept, altered; the object recovered is one of the ghost children's eyes rather than a soul-marble, which follows the same swap noted in Chapter 7.primarypartial
Chapter 10: the world flattensWith all three souls collected, the cat warns Coraline that the Other Mother has flattened the Other World so there is no way in or out.Film, Act Twokeptpartial
Chapter 10: returning with the souls and the catCoraline returns to her own Other flat, now crudely flattened like a child's drawing, carrying the three souls, the stone, and the cat.Film, Act Two/Threecondensedpartial
Chapter 11: the deception and the throwCoraline tricks the Other Mother into opening the passage door by claiming her real parents are hidden there, then throws the cat at her and grabs the snow globe holding her real parents.Film, Act Threekeptprimarystrong
Chapter 11: sealing the door togetherThe three ghost children and Coraline's own real parents appear as ghostly helpers in the passage and together force the door shut against the Other Mother's grasping hand, severing it.Film, Act Threekeptprimarystrong
Chapter 11: home and asleepSafe in her own flat, Coraline reconciles with the cat and falls into an exhausted sleep.Film, Act Threekeptpartial
Chapter 12: no one remembersCoraline's real mother has no memory of the Other World and only notices Coraline's scraped knee and torn pajamas; that evening the family shares a normal dinner.Film, Act Threekeptpartial
Chapter 12: the picnic dream and the handCoraline dreams of a picnic with the three ghost children, who warn her the Beldam isn't finished; she wakes to find the Other Mother's severed right hand loose in the house, hunting for the black key.Film, Act Threekeptprimarystrong
Chapter 13: the tea party trapCoraline sets a fake tea party with old dolls over the disused well at the edge of the property, weighing down a tablecloth that hides the opening, and lures the crawling hand onto it.Film, Act Threekeptprimarystrong
Chapter 13: the hand and key go down the wellActing alone, Coraline drops the hand and the black key into the well and covers it with the well's own boards; the cat later approves from the bushes.Film, final sequenceThe outcome is the same: the hand and the key go down the well. The film has Wybie arrive to help fight off and dispose of the hand, where the novel has Coraline act alone.primarystrong
n/aNo equivalent; the novel gives Coraline no real-world friend or confidant.Film, throughoutinvented; Wybie Lovat and his grandmother Mrs Lovat, the Pink Palace's landlady, are added as a real-world relationship for Coraline.strong
n/aNo equivalent; the novel never specifies how the Beldam learns what Coraline wants.Film, opening sequence and throughoutinvented; a button-eyed 'little me' rag doll, given to Coraline by Wybie, is revealed to be the Other Mother's spying device.strong

Change log

The argument. The mapping above is the evidence.
  • Identity / design change
    The real-world setting moves from an English house divided into flats to the Pink Palace Apartments in a fictionalized Ashland, Oregon.
    Novel, Chapter 1Film, Act One
    Moves the story's real world to American geography and vernacular. No beat set in the house changes.
    Attribution: Henry Selick, who has said he set the film in the US in part because he was more comfortable writing American English
  • Invented
    Wybie Lovat and his grandmother, the Pink Palace's landlady Mrs Lovat, are invented for the film as a real-world relationship for Coraline.
    n/a; the novel has no equivalent characterFilm, throughout
    Adds a relationship and a subplot the source does not have, including the reveal that one of the three ghost children is Wybie's missing relative.
    Attribution: Henry Selick, who has said he added Wybie because the novel's internal narration does not translate to film and Coraline needed someone in her real world to talk to
  • Invented
    A button-eyed 'little me' rag doll, given to Coraline by Wybie, is introduced as the device the Other Mother uses to spy on her, and had earlier been used to spy on each of the three ghost children.
    n/a; the novel never specifies how the Beldam learns what Coraline wantsFilm, opening sequence and throughout
    Gives the antagonist a stated method of surveillance where the novel leaves the method unstated.
    Attribution: unknown / production decision
  • Omitted
    The scene where Coraline finds the Other Father discarded and decaying beneath a pile of curtains, then is attacked by him, does not appear in the film.
    Novel, Chapter 9omitted
    Removes the Other Father's decay and his attack on Coraline. The film's Other Father arc runs through his warning song instead.
    Attribution: unknown / production decision
  • Tonal shift
    The Other Father's role is expanded into a musical warning: he performs a riddling song for Coraline hinting at the Other Mother's true intentions.
    Novel: the Other Father never sings and mostly stays silent or hostileFilm, Other Father's Song sequence
    Changes how the warning reaches Coraline. The novel's Other Father stays mostly silent and later turns hostile; the film's states the warning in song and never attacks her.
    Attribution: unknown / production decision
  • Omitted
    Coraline's private memory of her father standing his ground at a wasps' nest despite his fear, which is where the novel states its claim about bravery directly, is not attested in the film.
    Novel, Chapter 5omitted
    Drops the novel's direct statement of its claim about bravery. The claim still plays out through Coraline's actions.
    Attribution: unknown / production decision
  • Tonal shift
    At the climax, Wybie helps Coraline fight off and dispose of the Other Mother's severed hand at the well; in the novel Coraline sets the trap and disposes of the hand entirely alone.
    Novel, Chapter 13Film, final sequence
    Changes the last beat from an act Coraline performs alone to one she performs with help.
    Attribution: Neil Gaiman has said he was uncomfortable with the change because 'she has to rescue herself'
  • Kept, unflinching
    The film keeps the Other Mother's needle-and-thread offer to sew buttons over Coraline's eyes as the price of staying.
    Novel, Chapters 3-4Film, Act One
    The offer is staged on screen with the needle and thread shown, so the price the Other Mother names is stated rather than implied.
    Attribution: unknown / production decision
  • Kept, unflinching
    The film keeps all three ghost children and the fact that the Other Mother has already consumed other children's souls before Coraline arrives.
    Novel, Chapter 7Film, Act Two
    Keeps the source's evidence that the Other Mother has taken children before Coraline arrives.
    Attribution: unknown / production decision
  • Condensed
    The novel's early, separately paced warnings, Mr Bobo's mice, then Miss Spink and Miss Forcible's tea leaves, are compressed into the film's opening act.
    Novel, Chapters 1-2Film, Act One
    Compresses the setup. No individual warning is cut.
    Attribution: unknown / production decision
  • Identity / design change
    The film gives Coraline a signature blue-dyed hairstyle and a distinct raincoat-and-boots look; the novel's text does not specify her hair color or a signature outfit.
    Novel, generalFilm, character design
    Fixes a screen look for a character whose hair color and clothing the source text does not specify.
    Attribution: unknown / production decision
  • Identity / design change
    Mr Bobo's nationality narrows from the novel's general 'Eastern Europe' to specifically Russian, and his name changes to Sergei Bobinsky.
    Novel, Chapter 1Film
    Changes his name and narrows his nationality. His function as the upstairs neighbor with the mouse circus is unchanged.
    Attribution: unknown / production decision

People

Trait score = attested traits kept ÷ attested traits shown. Unstated traits are not rows.
Coraline JonesleadAltered7/9 attested traits kept78

Seven of nine traits are preserved, including her boredom, her use of the protective stone, and her rescue of her parents. One is omitted, the wasp-nest reflection, and one is altered, the solo disposal of the hand and key, which the film gives her Wybie's help with.

PersonalityBored, curious, and restless in her new home, prone to exploring rather than waiting to be entertained.Chapter 1preservedstrong
RelationshipsFeels neglected by two busy, distracted parents who rarely give her their full attention.Chapter 1preservedstrong
Moral codeRecalls her father's genuine, frightened bravery against a wasps' nest and resolves to act despite her own fear.This interior reflection is not attested in the available sources for the film. · Chapter 5omittedpartial
Plot functionDiscovers a small locked door that opens at night onto an alternate version of her home.Chapter 3preservedstrong
Plot functionProposes and wins a wagered game against the Other Mother to free her parents and the three ghost children's souls.Chapter 8preservedstrong
Body / abilityUses a stone with a natural hole in it, a gift from Miss Spink and Miss Forcible, to see hidden things.Chapters 2, 6-7preservedstrong
Moral codeDefeats the Other Mother's severed hand and disposes of it and the door key down an old well, acting entirely on her own.The film has Wybie fight off the hand and help dispose of it. · Chapter 13alteredstrong
VoiceRepeatedly corrects adults, including Miss Spink, Miss Forcible, and Mr Bobo, who mispronounce her name as 'Caroline.'throughoutpreservedpartial
ArcGrows from a bored, easily dismissed child into someone who insists on being taken seriously and rescues her own parents.throughoutpreservedpartial
The Other MotherThe Other Mother / the BeldamleadAltered9/10 attested traits kept90

Nine of ten traits are preserved, including the button-eyed mimicry, the sewing offer, the sworn bargain, the consumed souls, and the monstrous true form. The one omitted trait is her disposal of the used-up Other Father, which the available sources do not attest for the film.

IdentityAn entity who mimics Coraline's real mother but with black buttons in place of normal eyes.Chapter 3preservedstrong
AppearanceGrows taller, thinner, and less human the longer Coraline resists her.The film stages this transformation as a giant, needle-fingered spider form. The novel is less specific about the shape. · Chapters 10-11preservedpartial
Moral codeDemands that Coraline let her sew buttons over her eyes as the price of staying forever.Chapter 4preservedstrong
Plot functionHas already lured and consumed the souls of at least three other children before Coraline.Chapter 7preservedstrong
Plot functionSwears an oath to free Coraline, her parents, and the ghost children if Coraline wins a proposed game.Chapter 8preservedstrong
Body / abilityHer true form beneath the mimicry is a monstrous, needle-fingered, less-than-human shape.Chapters 10-11preservedpartial
Plot functionLoses a hand, severed as Coraline and her allies force the passage door shut.Chapter 11preservedstrong
PersonalityPresents an exaggerated, over-attentive parody of ideal parenting: better meals, more toys, more praise than the real thing.Chapters 3-4preservedstrong
Plot functionKeeps a servant-like Other Father under her control, able to discard him when he is no longer useful.Chapters 6, 9preservedpartial
Plot functionDiscards a disobedient, used-up Other Father, leaving him hidden and decaying in an empty flat.Not attested in the available sources for the film. · Chapter 9omittedpartial
Mel JonessupportingAltered4/4 attested traits kept100

All four traits are preserved. The film gives Mel Jones a neck brace from a car accident, a detail with no source counterpart. It touches no attested trait and is not scored.

Vocation / roleWrites for a gardening catalogue with her husband, working from home.throughoutpreservedpartial
PersonalityPreoccupied and impatient with Coraline's boredom, offering brisk, unhelpful suggestions rather than attention.Chapter 1preservedstrong
RelationshipsIs taken and imprisoned, along with her husband, by the Other Mother, becoming a hostage rather than an active participant in her own rescue.Chapters 5-6, 11preservedstrong
Plot functionRetains no memory of the Other World after being rescued.Chapter 12preservedstrong
Charlie JonessupportingAltered4/5 attested traits kept80

Four of five traits are preserved, including his vocation, his temperament, and his captivity. The one trait not attested for the film is the wasp-nest anecdote, which is where the novel states its claim about bravery directly.

Vocation / roleWrites for a gardening catalogue from home, alongside his wife.throughoutpreservedpartial
PersonalityCheerful and well-meaning despite being preoccupied with work; makes brief efforts to keep Coraline entertained.Chapter 1preservedstrong
Moral codeOnce stood firm near a wasps' nest to protect Coraline despite his own fear, teaching her that bravery means acting scared anyway.This anecdote is not attested in the available sources for the film. · Chapter 5omittedpartial
RelationshipsKidnapped alongside his wife and held in the Other World until Coraline frees him.Chapters 5-6, 11preservedstrong
Plot functionRetains no memory of events afterward.Chapter 12preservedpartial
The CatsupportingSame4/4 attested traits kept100
Body / abilityCan speak and reason like a person while inside the Other World, but is an ordinary, silent cat in the real world.Chapter 4preservedstrong
PersonalityDry, unsentimental, and self-possessed; offers guidance without warmth or reassurance.Chapters 4, 10preservedstrong
Plot functionWarns Coraline about the Other World and reappears at key moments to advise her.Chapters 4-5, 10preservedstrong
Plot functionPhysically intervenes at a critical moment to help Coraline, rather than only advising from a distance.Chapter 10preservedpartial
Miss SpinkApril SpinkcameoSame4/4 attested traits kept100
Vocation / roleA retired actress, formerly on the stage.Chapter 2preservedstrong
PersonalityWarmly eccentric, dotes on her dogs and reads Coraline's fortune in tea leaves.Chapter 2preservedstrong
Plot functionGives Coraline a stone with a natural hole in it for protection, after reading danger in her tea leaves.Chapter 2preservedstrong
IdentityConsistently mispronounces Coraline's name.throughoutpreservedpartial
Miss ForcibleMiriam ForciblecameoSame4/4 attested traits kept100
Vocation / roleA retired actress and Miss Spink's live-in companion.Chapter 2preservedstrong
PersonalityShares Miss Spink's theatrical nostalgia and superstition.Chapter 2preservedstrong
Plot functionJoins Miss Spink in warning Coraline of danger and giving her the protective stone.Chapter 2preservedstrong
RelationshipsKeeps several dogs alongside Miss Spink, a running motif for the pair in both versions.Chapter 1preservedpartial
Mr BoboSergei Alexander BobinskycameoAltered4/4 attested traits kept100
IdentityAn eccentric elderly neighbor from Eastern Europe living in the flat above.The film narrows this to Russian and renames him Sergei Bobinsky. · Chapter 1preservedstrong
Vocation / roleTrains and runs a circus of performing mice.Chapter 1preservedstrong
PersonalityClaims his mice deliver warnings and messages, and mispronounces Coraline's name.Chapters 1-2preservedstrong
Plot functionWarns Coraline, however cryptically, not to go through the door.Chapter 2preservedstrong
The Other FathersupportingAltered2/4 attested traits kept50

Two of four traits are preserved: his role as a controlled figure and his part in the Other Mother's welcome. His warning to Coraline is altered from cryptic hints into a song. His discarded state, his attack on Coraline, and her pulling out his button eyes are omitted.

PersonalityA controlled, servant-like figure to a domineering Other Mother rather than a genuine second parent.Chapters 3, 6preservedstrong
Plot functionInitially plays along with the Other Mother's hospitality, presenting an elaborate welcome for Coraline.Chapter 3preservedstrong
VoiceTries to warn Coraline about the Other Mother's true intentions.The novel's Other Father hints cryptically and otherwise stays silent or hostile. The film gives him a riddling warning song. · Chapter 6alteredpartial
Plot functionTurns hostile and attacks Coraline once he is discarded by the Other Mother.Not attested in the available sources for the film. · Chapter 9omittedpartial
The Ghost ChildrensupportingSame4/4 attested traits kept100

All four traits are preserved and all three ghost children appear. The film adds that one of them is a missing relative of Wybie's grandmother. That connection has no counterpart in the novel and is not scored, because the source has no such person.

Plot functionThree children previously lured and consumed by the Other Mother, now trapped as souls she holds.Chapter 7preservedstrong
RelationshipsWarn and guide Coraline, asking her to free their souls as part of any bargain with the Other Mother.Chapter 7preservedstrong
IdentityEach is dressed distinctly, evoking a different historical period.Chapter 12preservedpartial
Plot functionOnce freed, continue to appear to Coraline (in a dream) to warn her the Beldam is not finished.Chapter 12preservedpartial
Wybie LovatsupportingAddedn/a

A new character for the film. He is Coraline's real-world friend and the grandson of the Pink Palace's landlady Mrs Lovat. He gives Coraline the doll that turns out to be the Other Mother's spying device, and he helps her fight off and dispose of the severed hand at the well. He is screen-only, so he leaves the character axis and is counted in additions_restraint instead.

Creator stance

Time-stamped. Co-creators are never collapsed.
Neil Gaiman
novelist
February 2009
Championed
Around the film's release, Gaiman said his early concern was that the first draft of the script was too faithful, since the novel's internal narration does not translate to film pacing; after Henry Selick reworked it, Gaiman called the finished film awesome and astonishing.
About:fidelityqualitysource ↗
Neil Gaiman
novelist
February 2009
Consulted, mixed
Gaiman said he did not expect or want a frame-for-frame copy of what he had in his head while writing, adding that if the film had matched his own vision exactly he would have been disappointed, which he said is why he brought Selick on to begin with.
About:fidelityownershipsource ↗
Neil Gaiman
novelist
retrospective (undated Tumblr post)
Consulted, mixed
Responding to fans years later, Gaiman said he was not against adding Wybie, since the character gave Coraline someone to talk to, which he thought was a good change; he did say he was uncomfortable with Wybie rescuing Coraline at the end, since in the novel she rescues herself.
About:fidelitysource ↗
Henry Selick
screenwriter and director
February 2009
Participating adapter
Selick said his first script draft was too faithful to the book and did not work as a film, so he made bigger changes: setting it in the US, partly because he was more comfortable writing American English, and introducing Wybie to give Coraline someone to go up against directly in the real world.
About:fidelitysource ↗

No other adaptation of this source is catalogued.

Sources

Every score note points here. Wikipedia is a lead, not an authority.

Record coraline-novella-to-2009 · schema 0.2 · scoring 0.3-census · completeness census. Fidelity is not quality; the score is not a review.